What are 78s?

78s are antique/vintage records that rotate at 78 revolutions per minute (RPM). They were commonly made from shellac between 1898 and the late 1950s, and are also known as “shellac records”. Following World War II, when a need developed to distinguish the 78 from other newer disc record formats, they became known as 78s (or “seventy-eights”).

How To Identify 78s

  • Heavier than a normal vinyl record
  • Primarily 10″ in diameter (LPs are 12″ and 45s are 7″)
  • Most 78s have one song per side
  • They chip & break if care isn’t taken when handling
  • Sometimes 78RPM is printed on the label of later 78s
  • Early 1900 patent dates on some early labels

78.26 RPM

Early Records

In 1887, Emil Berliner invented the flat disc record. The earliest records were recorded and played back acoustically, often with a hand crank and horn to amplify the sound. The size and speed of the discs varied widely, but by 1910 most records were recorded at about 78 to 80 rpm. The first records were made from shellac, a natural resin created by female lac bugs. 

Victor recording session in the early 1900s.

Standardization

In 1912, the Gramophone Company set 78rpm as their recording standard, and by 1925, it was becoming standardized across the industry. In 1925, 78.26 rpm was chosen as a standard for motorized phonographs because it was suitable for most existing records and could be easily achieved using a standard 3600-rpm motor and 46-tooth gear (78.26 = 3600/46). Thus these records became known as 78s (or “seventy-eights”) when I need to distinguish between 45s and LPs was needed.

Other Info

Following the stock market crash of Oct’ 29, record companies saw their business drop more than 90% (100M+ in ’29 to less than 10M records made in ’33). Nearly all the independent labels folded.  

In 1942, The War Production Board imposed strict rations on shellac, curtailing the number of records that could be manufactured, a 70% cut in the production of new records. Also, a public appeal was launched calling for the donation of old discs to be recycled and sent to troops to boost morale.

In ’48, the first 45pm records are pressed, marking the beginning of the decline of 78s. The date of the very last 78rpm record pressed is not known. Chess Records was the last major US label to press a 78 (Chess 1747, 2/1960). Collectors have found smaller independent label 78s records pressed through the mid 1960’s, presumably for the jukebox market.

Production

78rpm records were produced alongside newer formats into the late 1950s stateside and in less-industrialized countries into the 1960s. 

Pressing KING 78rpm records

Limitations

78rpm records have some limitations, including:

  • Record Wear: Caused by early gramophones with steel needles and repeated play
  • Recording time: A 10″ disc could record approximately 3 minutes & a 12″ disc could record 5 minutes.
  • Shellac fragility: Shellac is fragile and fairly easily breaks if handled carelessly

HOW PHONOGRAPH RECORDS ARE MADE: One of the best videos I’ve found online that shows how an acoustic phonograph record was made over a 100 years ago.

“The Immortal Voice” 1923 – How Acoustic Phonograph Records Are Made

78RPM Labels Over The Years

Some variations of 78rpm label design

1900s

Record labels from early 1900s

Climax – Columbia Phonograph Co – 1902
Columbia Phonograph Co – 1903
Columbia Phonograph Co – 1903
Columbia Phonograph Co – 1904
Columbia Phonograph Co – 1904
Columbia Phonograph Co – 1905
Columbia Phonograph Co – 1906
Columbia Phonograph Co – 1907
Monarch Record – 1904
Victor Record – 1905
Victor 1908
Gramophone Concert Record 1908
Busy Bee – 1906
Jumbo Record – 1908
Oxford – 1909

1910s

1920s

1930s

A few design variations of 78rpm labels

1940s

A few design variations of 78rpm labels

1950s

A few design variations of 78rpm labels